The rock & roll dream is alive and well and living in Peoria. That’s Peoria, Arizona, a small town outside Phoenix, where the members of A Change of Pace, ages 16-18, come from. Unlike most teenagers who have just graduated high school, they are not busy getting ready for college, but about to release their slam-bang debut album, An Offer You Can’t Refuse, for Immortal Records. “It’s kind of uncanny isn’t it?” says lead singer Torry Jasper about the band’s youth. Their age is belied by the sheer energy and roar behind such tracks as “Loose Lips Sink Ships,” “Till Death Do Us Part,” “Every Second” and “Asleep at the Wheel,” which combine the bludgeoning martial synchronization of hardcore metal with surging buzzsaw choruses that nod to both emo and punk.

The influences range from the Beatles, Black Sabbath and Led Zeppelin albums Torry’s parents played around the house, through his Metallica phase and up to his current fascination with Five for Fighting, Ben Folds and Third Eye Blind, reflected in the hard-edged acoustic lament, “A Farewell to Friendship.” A Change of Pace’s roots go back to Torry and Jonathan Kelly’s freshman high school English class four years ago, where they first met and discovered their mutual love of music. Unfortunately, when they got together to jam, they discovered they couldn’t stand each other, though they hit it off musically. “We wrote one song and it was horrible,” remembers Torry. “But we kept at it, continued writing and writing until we got it right.”

“It takes time to get used to Torry,” laughs Kelly. “At first, it’s like, what is this guy doing? After awhile, you just fall in love with him. When I first found out he played guitar, we’d play together every night for hours and hours. Our friends would come over and check us out. And it just went from there.” They played some local gigs, but it wasn’t until bassist Johnny Abdullah and lead guitarist Adam Rodgers came aboard about 18 months ago that A Change of Pace started to take off. The group recorded some tracks locally and placed them on MP3.com, where they were discovered by L.A.-based artist manager Jorge Hernandez, who had begun browsing the site at the letter “A” and rang the band up to find out who they were.

“As A Change of Pace, we were one of the first names on the list,” marvels Jonathan at their stroke of good luck.

Within months, the band was signed to Immortal Records, original home of Korn and Incubus, among others, and in a Las Vegas studio recording their bow with producer Michael “Elvis” Baskette (Incubus, Three Days Grace, Chevelle).

“That was a whole new experience for us,” admits Jonathan. “Elvis helped us with the writing and the arrangements. It was great to be with someone who knew so much about music.”

Torry, who writes most of the band’s lyrics, and comes up with the music with the rest of the band, is the source of much of the fury, anger and scorn in A Change of Pace’s music.

“He’s been through a lot of stuff,” says Jonathan. “He has a lot of problems with that. Just going through high school, growing up. He’s a strange guy. I was a little afraid of him at first. But once you get to know him, he’s great. ”

“Loose Lips Sink Ships” and “A Farewell to a Friendship” wear their feelings of betrayal. “That’s just how my friendships have been for the last few years,” explains Torry. “It just seems everybody outside the band is kind of unfaithful in some way or form. Doing stupid things behind each other’s backs.”

The cinematic “Every Second” and the crash-and-burn “Asleep at the Wheel” express feelings of emotional turmoil through their tales of drunk driving and car accidents, while “Till Death Do Us Part” is about ripping a girlfriend’s heart out and smashing it up against a wall.